TWO:They made also sad havoc of the Boulevard de Namur. Many mansions of the aristocracy had been destroyed and many people killed. There were corpses still lying on the Boulevard as I passed, all in a state of decay. The smell was unbearable and the sight loathsome, especially when I saw several drunken soldiers insulting the bodies of these unfortunate people.Borrowing Dicks jackknife for a weight, Sandy prepared the message.
TWO:Apart, however, from abstract speculation, the ideal156 method seems to have exercised an immediate and powerful influence on Art, an influence which was anticipated by Socrates himself. In two conversations reported by Xenophon,102 he impresses on Parrhasius, the painter, and Cleito, the sculptor, the importance of so animating the faces and figures which they represented as to make them express human feelings, energies, and dispositions, particularly those of the most interesting and elevated type. And such, in fact, was the direction followed by imitative art after Pheidias, though not without degenerating into a sensationalism which Socrates would have severely condemned. Another and still more remarkable proof of the influence exercised on plastic representation by ideal philosophy was, perhaps, not foreseen by its founder. We allude to the substitution of abstract and generic for historical subjects by Greek sculpture in its later stages, and not by sculpture only, but by dramatic poetry as well. For early art, whether it addressed itself to the eye or to the imagination, and whether its subjects were taken from history or from fiction, had always been historical in this sense, that it exhibited the performance of particular actions by particular persons in a given place and at a given time; the mode of presentment most natural to those whose ideas are mainly determined by contiguous association. The schools which came after Socrates let fall the limitations of concrete reality, and found the unifying principle of their works in association by resemblance, making their figures the personification of a single attribute or group of attributes, and bringing together forms distinguished by the community of their characteristics or the convergence of their functions. Thus Aphrodit no longer figured as the lover of Ars or Anchiss, but as the personification of female beauty; while her statues were grouped together with images of the still more transparent abstractions, Love, Longing, and Desire. Similarly Apollo became a personification of musical enthusiasm, and Dionysus157 of Bacchic inspiration. So also dramatic art, once completely historical, even with Aristophanes, now chose for its subjects such constantly-recurring types as the ardent lover, the stern father, the artful slave, the boastful soldier, and the fawning parasite.103Not that Xenophon is to be taken as a perfectly accurate exponent of the Socratic philosophy. His work, it must be remembered, was primarily intended to vindicate Socrates from a charge of impiety and immoral teaching, not to expound a system which he was perhaps incompetent to appreciate or understand. We are bound to accept everything that he relates; we are bound to include nothing that he does not relate; but we may fairly readjust the proportions of his sketch. It is here that a judicious use of Plato will furnish us with the most valuable assistance. He grasped Socratism in all its parts and developed it in all directions, so that by following back the lines of his system to their origin we shall be put on the proper track and shall know where to look for the suggestions which were destined to be so magnificently worked out.86
